SPACE MUSIC |
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Another pioneering work of Space Music was the score for George Pal's "Destination Moon". It was released on a 10 inch long playing record in 1950, and features many lush themes reminiscent of the French composer Maurice Ravel. |
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Like Leith Stevens, Russ Garcia was a composer for film and TV, but this aural exploration of space existed independently of the cinema. It was designed to exploit the possibilities of stereo. Now Hi-fi enthusiasts could hear the musical instruments drifting from right to left thanks to two-channel sound. |
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Les Baxter (who served as orchestra conductor on "Music Out Of the Moon") once again looked to the stars for inspiration on this piece of sci-fi hi-fi, but I'm more impressed by the multicolored female denizens shown on the cover. And what could be in contained in the space brew they are about to partake? Could it be some form of "Astro-desiac"? |
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No question about it, the star of this LP is Paul Tanner playing an instrument of his own invention, the "Electro-Theremin". It sounded much like the standard Theremin, but the pitch was controlled by using a handheld slide which was far easier to play. His talents can be heard on TVs "My Favorite Martian", "Lost in Space" and even the Beach Boys' "Good Vibrations". |
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This album was prepared for the 1962 Seattle World's Fair (which I attended at the tender age of 2) It is compiled from background music played at some of the fair's most popular attractions, such as the "Bubble-ator" (a see-thru plastic bubble shaped elevator) or the super-fast Monorail (which still operates in downtown Seattle) |
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Here's another atom age favorite. Arranger Sid Bass tried his hand at outer space, and what begin as very straight forward arrangements of standards like "Stardust" or "Stormy Weather" suddenly get a jolt of space juice and "ZOOM" we're in orbit. One moment you have a horn section, the next you have wild electronics, reverberating bells and the like. |